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What can South Park tell us about Socrates and the nature of evil? How does The Office help us to understand Sartre and existentialist ethics? Can Battlestar Galactica shed light on the existence of God?
- Introducing Philosophy Through Pop Culture uses popular culture to illustrate important philosophical concepts and the work of the major philosophers
- With examples from film, television, and music including South Park, The Matrix , X-Men, Batman, Harry Potter, Metallica and Lost, even the most abstract and complex philosophical ideas become easier to grasp
- Features key essays from across the Blackwell Philosophy and Pop Culture series, as well as helpful editorial material and a glossary of philosophical terms
- From metaphysics to epistemology; from ethics to the meaning of life, this unique introduction makes philosophy as engaging as popular culture itself
- Supplementary website available with teaching guides, sample materials and links to further resources at www.pop-philosophy.org
- Sales Rank: #255044 in Books
- Published on: 2010-08-30
- Original language: English
- Number of items: 1
- Dimensions: 9.70" h x .72" w x 6.70" l, 1.50 pounds
- Binding: Paperback
- 384 pages
Review
"This totally engaging book shows how philosophy helps you to live happily, reflect logically and act responsibly. It is an essential tool for contemporary students and teachers of philosophy. Enjoy!"
—David Carrier, Case Western Reserve University/Cleveland Institute of Art
From the Back Cover
What can South Park tell us about Socrates and the nature of evil? How does The Office help us to understand Sartre and existentialist ethics? Can Battlestar Galactica shed light on the existence of God?
Introducing Philosophy Through Pop Culture uses popular culture to illustrate important philosophical concepts and the work of the major philosophers. With examples from film, television, and music including South Park, House,M.D., The Matrix, X-Men, Batman, Harry Potter, Metallica and Lost, even the most abstract and complex philosophical ideas become easier to grasp.
This unique textbook,�featuring essays from the Blackwell Philosophy and Pop Culture series, is perfect for any�introduction to�philosophy course. From metaphysics to epistemology; from ethics to the meaning of life, Introducing Philosophy through Pop Culture makes philosophy as engaging as popular culture itself.
About the Author
William Irwin is professor of Philosophy and Director of the Honors Program at King’s College in Pennsylvania. In addition to publishing in leading scholarly journals such as Philosophy and Literature and The Journal of Aesthetics and Art Criticism, Irwin originated the philosophy and popular culture genre of books with Seinfeld and Philosophy in 1999. Irwin has also co-edited The Simpsons and Philosophy and edited The Matrix and Philosophy and Metallica and Philosophy. He is currently the General Editor of the Blackwell Philosophy and Pop Culture series.
David Kyle Johnson is assistant professor of Philosophy at King’s College in Pennsylvania. In addition to his scholarly work on philosophy of religion, Johnson has edited Heroes and Philosophy and is also a contributor to the Blackwell Philosophy and Pop Culture series, having written chapters on South Park, Family Guy, The Office, Battlestar Galactica, and Batman. Johnson hosts a podcast on Pop Culture and Philosophy at www.philosophyandpopculture.com.
Most helpful customer reviews
7 of 7 people found the following review helpful.
A dual treat!
By Thomas G. Farrar
This book is self-described as a textbook intended for Philosophy classes in upper schools and universities as a companion to original texts by major philosophers.
The book does an excellent job of summarizing major ideas using popular television shows, books, movies, and music. Additionally, however, I found the study of how philosophy permeates these forms of entertainment and our basic culture to be doubly fascinating.
The book is a compilation of articles, each written by a different author, focusing on a general idea developed in pop culture. One of the best articles I found was about ethics (the concepts of right and wrong). The writer examined the ideas of Utilitarianism by John Stuart Mill (the basic idea that what is good for the most people is always best) and Deontology (the idea that morals are more important for an individual) by Immanuel Kant with an article about superheroes entitled "Why Doesn't Batman Kill the Joker?"
Other highlights include a piece on existence and identity in the movie "The Matrix," an article examining ideas by Nietzche and Marx in Metallica songs, development of a society in "Lost, and an item on destiny and free will in the world of "Harry Potter."
The book does have an emphasis on shows such as "Battlestar Galactica," "The Office," "South Park" and "House." Though I am not as familiar with these programs as with the movies discussed, all of the articles are accessible to the reader with just a slight exposure. The tome also includes articles using "X-Men," "The Colbert Report," "The Terminator," "Twilight," "Heroes," "Watchmen, "Family Guy," and "24."
I found the book a good refresher of many of the basic concepts I learned in a few courses in my past studies. Though not stressed by the authors, a reader with a critical eye may also be able to spot how these philosophical ideas have endured and filter into our daily life activities, including leisure and pop culture.
1 of 1 people found the following review helpful.
A "must read"
By Katie Kelly
This is an accessible and enjoyable text book - a great introduction to the world of philosophy. Every library should have a copy. The chapter on The Terminator was fabulous.
0 of 0 people found the following review helpful.
Interesting, but Arcane
By Jeff Thomas
I like it, but he mixes arcane (probably largely irrelevant) concepts with familiar cultural anchors. South Park, itself, is not probably part of the cultural vernacular in a way that his methods work. A lot of his examples appeal to a particular population (sic-fi, fantasy, etc). It works to show his curiosities, which I appreciate, but, at either end of the spectrum, his examples of culture and philosophy are probably too disparate for the reader to walk away with any coherent connection they could use in a classroom or in a conversation apart from this book.
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