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The Art of the Salon: The Triumph of 19th-Century Painting, by Norbert Wolf
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The Paris Salons of the mid-19th century are more famous today for the paintings that were rejected than for those that were actually shown. The rejected works form today’s canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the 19th century. Salon painting has often been dismissed as overly academic or staid. Art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of Salon painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions of masterpieces by Cabanel, Manet, Biertstadt, the Pre-Raphaelites, and Sargent, naming a few, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris’s position as Europe’s cultural capital. He explores styles and themes that were especially prevalent in Salon painting: history painting; portraits from home and in society; the rise of “Orientalism"; and the nationalism of landscape. Readers will come away from this well-researched and absorbing book with a steadfast appreciation of the Salon’s disciplined and academic approach to painting, and an understanding of why these works were once so revered by the general public.
- Sales Rank: #907734 in Books
- Published on: 2012-09-19
- Released on: 2012-09-25
- Original language: English
- Number of items: 1
- Dimensions: 13.80" h x 1.25" w x 11.60" l, 7.63 pounds
- Binding: Hardcover
- 288 pages
Review
“The Art of the Salon fills a serious hole in art history, and does it in a luxurious fashion that the salon painters would appreciate....[it] is certainly among the finest coffee-table volumes of this or any other year.” ―The Palm Beach Post
“Like the subject it discusses, The Art of the Salon is visually stunning, larger than life…and triumphantly camp.” ―American Fine Art Magazine
“The Art of the Salon… presents lush, visual evidence of the contributions of 19th-century Salon artists.” ―Artist’s Magazine
From the Inside Flap
The Paris Salons of the mid-19th century are more famous today for the paintings that were rejected than for those that were actually shown. The rejected works form today’s canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the 19th century. Salon painting has often been dismissed as overly academic or staid. Art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of Salon painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions of masterpieces by Cabanel, Manet, Biertstadt, the Pre-Raphaelites, and Sargent, naming a few, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris’s position as Europe’s cultural capital.
About the Author
NORBERT WOLF'S many books on art include Albrecht Durer and Art Nouveau (both Prestel)
Most helpful customer reviews
5 of 5 people found the following review helpful.
Great concept, less than great execution
By jpcooper
This isn't a bad book, it's just not the great book it could and should have been. I won't comment on the text as I haven't read through the book in its entirety. So far, at least, it doesn't seem to me to be as objectionable as the other reviewers have insinuated - not untypical of the ponderous verbiage we have come to expect in most art books (and a translation, at that). The selection of paintings is pretty decent. I would give it a 'B' grade in that regard. Many of the images are excellent selections and beautifully reproduced. And the larger than usual format affords them the justice they deserve.
This book misses the mark in a few important ways. Given the size of this book many of the images are inexcusably small. And a few of the paintings lack the resolution one would expect. The slipcase cover is not very attractive and the dust jacket is an exact match - with all the incredible art this period produced surely they could have found something more eye-catching.
The production quality is just fine - good materials and solid construction. But, in balance, I think it represents a lost opportunity. This could have been a real masterpiece had some of the above issues been handled more thoughtfully. There is much here to like but given the price I would have expected more.
7 of 7 people found the following review helpful.
A compilation of examples of beautiful art
By J. Crawford
Salon painting, that is, art of the sort that was preferred and approved of by the French Academy of Art, featured technical proficiency, heroic themes, and grand presentations. Ultimately that painting style was criticized, with some justification, as being "over the top", and somewhat out of touch with the realities of everyday living. Its excesses lead eventually to the acceptance of impressionism as an artistic style. However, the fact remains that Salon Art produced works of truly outstanding beauty. The book, "The Art of the Salon", provides a compilation of some of the most striking examples of that period. For me the book was a very worthwhile purchase.
20 of 23 people found the following review helpful.
nice pictures, bad writing
By Linda B
First, it must be said that this is a very beautiful book, which is why I gave the book three stars. If you are only interested in the pictures, buy it. However, if you also want to read the book, I cannot recomend it. Typical sentences go on for five or six lines and are loaded with jargon. As a graduate student, I referred to this as "I have nothing to say so I'm hiding behind verbose prose". The type style is also very annoying--it randomly uses a fancy curly-que serif on the letter t. It doesn't sound like a big deal, but combined with the writing style, it increases the reading difficulty. Further, once you get through the language, there isn't enough information. In fact, the book only indexes names. Lastly, don't take my word for it, here is just one example of the writing style, "All the stylistic currents that did not unswervingly steer towards modernism, were appraised as 'aberrations' by an art scholarship oriented towards developmental history--although, or perhaps because, it was not them but the avant-gardes that were originally considered ridiculous fringe phenomena by the predominant social strata; the recognition of an artistic movement by the educated bourgeoise seemed from a modern standpoint to inevitably discredit it." If that sentence works for you, you'll love the book. I, however, sent it back.
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